第51章 CHAPTER II(6)

"Certainly," said the stranger, "the whole of the story is not written here, but it is suggested. And the attribute of all true art, the highest and the lowest, is this--that it rays more than it says, and takes you away from itself. It is a little door that opens into an infinite hall where you may find what you please. Men, thinking to detract, say: 'People read more in this or that work of genius than was ever written in it,' not perceiving that they pay the highest compliment. If we pick up the finger and nail of a real man, we can decipher a whole story--could almost reconstruct the creature again, from head to foot. But half the body of a Mumboo-jumbow idol leaves us utterly in the dark as to what the rest was like. We see what we see, but nothing more. There is nothing so universally intelligible as truth. It has a thousand meanings, and suggests a thousand more."

He turned over the wooden thing.

"Though a man should carve it into matter with the least possible manipulative skill, it will yet find interpreters. It is the soul that looks out with burning eyes through the most gross fleshly filament.

Whosoever should portray truly the life and death of a little flower--its birth, sucking in of nourishment, reproduction of its kind, withering and vanishing--would have shaped a symbol of all existence. All true facts of nature or the mind are related. Your little carving represents some mental facts as they really are, therefore fifty different true stories might be read from it. What your work wants is not truth, but beauty of external form, the other half of art." He leaned almost gently toward the boy.

"Skill may come in time, but you will have to work hard. The love of beauty and the desire for it must be born in a man; the skill to reproduce it he must make. He must work hard."

"All my life I have longed to see you," the boy said.

The stranger broke off the end of his cigar, and lit it. The boy lifted the heavy wood from the stranger's knee and drew yet nearer him. In the dog-like manner of his drawing near there was something superbly ridiculous, unless one chanced to view it in another light. Presently the stranger said, whiffing, "Do something for me."

The boy started up.

"No; stay where you are. I don't want you to go anyowhere; I want you to talk to me. Tell me what you have been doing all your life."

The boy slunk down again. Would that the man had asked him to root up bushes with his hands for his horse to feed on; or to run to the far end of the plain for the fossils that lay there, or to gather the flowers that grew on the hills at the edge of the plain; he would have run and been back quickly--but now!

"I have never done anything," he said.

"Then tell me of that nothing. I like to know what other folks have been doing whose word I can believe. It is interesting. What was the first thing you ever wanted very much?"

The boy waited to remember, then began hesitatingly, but soon the words flowed. In the smallest past we find an inexhaustible mine when once we begin to dig at it.

A confused, disordered story--the little made large and the large small, and nothing showing its inward meaning. It is not till the past has receded many steps that before the clearest eyes it falls into co-ordinate pictures. It is not till the I we tell of has ceased to exist that it takes its place among other objective realities, and finds its true niche in the picture. The present and the near past is a confusion, whose meaning flashes on us as it slinks away into the distance.

The stranger lit one cigar from the end of another, and puffed and listened with half-closed eyes.

"I will remember more to tell you if you like," said the boy.

He spoke with that extreme gravity common to all very young things who feel deeply. It is not till twenty that we learn to be in deadly earnest and to laugh. The stranger nodded, while the fellow sought for something more to relate. He would tell all to this man of his--all that he knew, all that he had felt, his inmost sorest thought. Suddenly the stranger turned upon him.

"Boy," he said, "you are happy to be here."

Waldo looked at him. Was his delightful one ridiculing him? Here, with this brown earth and these low hills, while the rare wonderful world lay all beyond. Fortunate to be here?

The stranger read his glance.

"Yes," he said; "here with the karoo-bushes and red sand. Do you wonder what I mean? To all who have been born in the old faith there comes a time of danger, when the old slips from us, and we have not yet planted our feet on the new. We hear the voice from Sinai thundering no more, and the still small voice of reason is not yet heard. We have proved the religion our mothers fed us on to be a delusion; in our bewilderment we see no rule by which to guide our steps day by day; and yet every day we must step somewhere."