第35章 OUT OF TOWN(3)

In the case of your being a pictorial artist, desirous of studying at small expense the physiognomies and beards of different nations, come, on receipt of this, to Pavilionstone. You shall find all the nations of the earth, and all the styles of shaving and not shaving, hair cutting and hair letting alone, for ever flowing through our hotel. Couriers you shall see by hundreds; fat leathern bags for five-franc pieces, closing with violent snaps, like discharges of fire-arms, by thousands; more luggage in a morning than, fifty years ago, all Europe saw in a week. Looking at trains, steamboats, sick travellers, and luggage, is our great Pavilionstone recreation. We are not strong in other public amusements. We have a Literary and Scientific Institution, and we have a Working Men's Institution - may it hold many gipsy holidays in summer fields, with the kettle boiling, the band of music playing, and the people dancing; and may I be on the hill-side, looking on with pleasure at a wholesome sight too rare in England!

- and we have two or three churches, and more chapels than I have yet added up. But public amusements are scarce with us. If a poor theatrical manager comes with his company to give us, in a loft, Mary Bax, or the Murder on the Sand Hills, we don't care much for him - starve him out, in fact. We take more kindly to wax-work, especially if it moves; in which case it keeps much clearer of the second commandment than when it is still. Cooke's Circus (Mr. Cooke is my friend, and always leaves a good name behind him) gives us only a night in passing through. Nor does the travelling menagerie think us worth a longer visit. It gave us a look-in the other day, bringing with it the residentiary van with the stained glass windows, which Her Majesty kept ready-made at Windsor Castle, until she found a suitable opportunity of submitting it for the proprietor's acceptance. I brought away five wonderments from this exhibition. I have wondered ever since, Whether the beasts ever do get used to those small places of confinement; Whether the monkeys have that very horrible flavour in their free state; Whether wild animals have a natural ear for time and tune, and therefore every four-footed creature began to howl in despair when the band began to play; What the giraffe does with his neck when his cart is shut up; and, Whether the elephant feels ashamed of himself when he is brought out of his den to stand on his head in the presence of the whole Collection.

We are a tidal harbour at Pavilionstone, as indeed I have implied already in my mention of tidal trains. At low water, we are a heap of mud, with an empty channel in it where a couple of men in big boots always shovel and scoop: with what exact object, I am unable to say. At that time, all the stranded fishing-boats turn over on their sides, as if they were dead marine monsters; the colliers and other shipping stick disconsolate in the mud; the steamers look as if their white chimneys would never smoke more, and their red paddles never turn again; the green sea-slime and weed upon the rough stones at the entrance, seem records of obsolete high tides never more to flow; the flagstaff-halyards droop; the very little wooden lighthouse shrinks in the idle glare of the sun. And here I may observe of the very little wooden lighthouse, that when it is lighted at night, - red and green, - it looks so like a medical man's, that several distracted husbands have at various times been found, on occasions of premature domestic anxiety, going round and round it, trying to find the Nightbell.

But, the moment the tide begins to make, the Pavilionstone Harbour begins to revive. It feels the breeze of the rising water before the water comes, and begins to flutter and stir. When the little shallow waves creep in, barely overlapping one another, the vanes at the mastheads wake, and become agitated. As the tide rises, the fishing-boats get into good spirits and dance, the flagstaff hoists a bright red flag, the steamboat smokes, cranes creak, horses and carriages dangle in the air, stray passengers and luggage appear.

Now, the shipping is afloat, and comes up buoyantly, to look at the wharf. Now, the carts that have come down for coals, load away as hard as they can load. Now, the steamer smokes immensely, and occasionally blows at the paddle-boxes like a vaporous whale-greatly disturbing nervous loungers. Now, both the tide and the breeze have risen, and you are holding your hat on (if you want to see how the ladies hold THEIR hats on, with a stay, passing over the broad brim and down the nose, come to Pavilionstone). Now, everything in the harbour splashes, dashes, and bobs. Now, the Down Tidal Train is telegraphed, and you know (without knowing how you know), that two hundred and eighty-seven people are coming.

Now, the fishing-boats that have been out, sail in at the top of the tide. Now, the bell goes, and the locomotive hisses and shrieks, and the train comes gliding in, and the two hundred and eighty-seven come scuffling out. Now, there is not only a tide of water, but a tide of people, and a tide of luggage - all tumbling and flowing and bouncing about together. Now, after infinite bustle, the steamer steams out, and we (on the Pier) are all delighted when she rolls as if she would roll her funnel out, and all are disappointed when she don't. Now, the other steamer is coming in, and the Custom House prepares, and the wharf-labourers assemble, and the hawsers are made ready, and the Hotel Porters come rattling down with van and truck, eager to begin more Olympic games with more luggage. And this is the way in which we go on, down at Pavilionstone, every tide. And, if you want to live a life of luggage, or to see it lived, or to breathe sweet air which will send you to sleep at a moment's notice at any period of the day or night, or to disport yourself upon or in the sea, or to scamper about Kent, or to come out of town for the enjoyment of all or any of these pleasures, come to Pavilionstone.