第3章 CHAPTER I Hiram's Hospital(3)

Hiram's Hospital, as the retreat is called, is a picturesque building enough, and shows the correct taste with which the ecclesiastical architects of those days were imbued. It stands on the banks of the little river, which flows nearly round the cathedral close, being on the side furthest from the town. The London road crosses the river by a pretty one-arched bridge, and, looking from this bridge, the stranger will see the windows of the old men's rooms, each pair of windows separated by a small buttress. A broad gravel walk runs between the building and the river, which is always trim and cared for; and at the end of the walk, under the parapet of the approach to the bridge, is a large and well-worn seat, on which, in mild weather, three or four of Hiram's bedesmen are sure to be seen seated. Beyond this row of buttresses, and further from the bridge, and also further from the water which here suddenly bends, are the pretty oriel windows of Mr Harding's house, and his well-mown lawn. The entrance to the hospital is from the London road, and is made through a ponderous gateway under a heavy stone arch, unnecessary, one would suppose, at any time, for the protection of twelve old men, but greatly conducive to the good appearance of Hiram's charity. On passing through this portal, never closed to anyone from 6 A.M. till 10 P.M., and never open afterwards, except on application to a huge, intricately hung mediaeval bell, the handle of which no uninitiated intruder can possibly find, the six doors of the old men's abodes are seen, and beyond them is a slight iron screen, through which the more happy portion of the Barchester elite pass into the Elysium of Mr Harding's dwelling.

Mr Harding is a small man, now verging on sixty years, but bearing few of the signs of age; his hair is rather grizzled, though not gray; his eye is very mild, but clear and bright, though the double glasses which are held swinging from his hand, unless when fixed upon his nose, show that time has told upon his sight; his hands are delicately white, and both hands and feet are small; he always wears a black frock coat, black knee-breeches, and black gaiters, and somewhat scandalises some of his more hyperclerical brethren by a black neck-handkerchief.

Mr Harding's warmest admirers cannot say that he was ever an industrious man; the circumstances of his life have not called on him to be so; and yet he can hardly be called an idler. Since his appointment to his precentorship, he has published, with all possible additions of vellum, typography, and gilding, a collection of our ancient church music, with some correct dissertations on Purcell, Crotch, and Nares. He has greatly improved the choir of Barchester, which, under his dominion, now rivals that of any cathedral in England.

He has taken something more than his fair share in the cathedral services, and has played the violoncello daily to such audiences as he could collect, or, faute de mieux, to no audience at all.

We must mention one other peculiarity of Mr Harding. As we have before stated, he has an income of eight hundred a year, and has no family but his one daughter; and yet he is never quite at ease in money matters. The vellum and gilding of 'Harding's Church Music' cost more than any one knows, except the author, the publisher, and the Rev. Theophilus Grantly, who allows none of his father-in-law's extravagances to escape him. Then he is generous to his daughter, for whose service he keeps a small carriage and pair of ponies. He is, indeed, generous to all, but especially to the twelve old men who are in a peculiar manner under his care. No doubt with such an income Mr Harding should be above the world, as the saying is; but, at any rate, he is not above Archdeacon Theophilus Grantly, for he is always more or less in debt to his son-in-law, who has, to a certain extent, assumed the arrangement of the precentor's pecuniary affairs.