第12章 VI. ON THE BRINK(2)

'How long will it take to marry?' Miss Bencomb asked by-and-by, with obvious self-repression.

'We could do it to-morrow. I could get to Doctors' Commons by noon to- day, and the licence would be ready by to-morrow morning.'

'I won't go to my aunt's, I will be an independent woman! I have been reprimanded as if I were a child of six. I'll be your wife if it is as easy as you say.'

They stopped the cab while they held a consultation. Pierston had rooms and a studio in the neighbourhood of Campden Hill; but it would be hardly desirable to take her thither till they were married. They decided to go to an hotel.

Changing their direction, therefore, they went back to the Strand, and soon ensconced themselves in one of the venerable old taverns of Covent Garden, a precinct which in those days was frequented by West-country people. Jocelyn then left her and proceeded on his errand eastward.

It was about three o'clock when, having arranged all preliminaries necessitated by this sudden change of front, he began strolling slowly back; he felt bewildered, and to walk was a relief. Gazing occasionally into this shop window and that, he called a hansom as by an inspiration, and directed the driver to 'Mellstock Gardens.'

Arrived here, he rang the bell of a studio, and in a minute or two it was answered by a young man in shirt-sleeves, about his own age, with a great smeared palette on his left thumb.

'O, you, Pierston! I thought you were in the country. Come in. I'm awfully glad of this. I am here in town finishing off a painting for an American, who wants to take it back with him.'

Pierston followed his friend into the painting-room, where a pretty young woman was sitting sewing. At a signal from the painter she disappeared without speaking.

'I can see from your face you have something to say; so we'll have it all to ourselves. You are in some trouble? What'll you drink?'

'Oh! it doesn't matter what, so that it is alcohol in some shape or form. . . . Now, Somers, you must just listen to me, for I HAVE something to tell.'

Pierston had sat down in an arm-chair, and Somers had resumed his painting. When a servant had brought in brandy to soothe Pierston's nerves, and soda to take off the injurious effects of the brandy, and milk to take off the depleting effects of the soda, Jocelyn began his narrative, addressing it rather to Somers's Gothic chimneypiece, and Somers's Gothic clock, and Somers's Gothic rugs, than to Somers himself, who stood at his picture a little behind his friend.

'Before I tell you what has happened to me,' Pierston said, 'I want to let you know the manner of man I am.'

'Lord--I know already.'

'No, you don't. It is a sort of thing one doesn't like to talk of. I lie awake at night thinking about it.'

'No!' said Somers, with more sympathy, seeing that his friend was really troubled.

'I am under a curious curse, or influence. I am posed, puzzled and perplexed by the legerdemain of a creature--a deity rather; by Aphrodite, as a poet would put it, as I should put it myself in marble.

. . . But I forget--this is not to be a deprecatory wail, but a defence--a sort of Apologia pro vita mea.'

'That's better. Fire away!'