第3章
I had therefore the task of avowing myself, to the numerous and respectable company assembled, as the sole and unaided author of these Novels of Waverley, the paternity of which was likely at one time to have formed a controversy of some celebrity, for the ingenuity with which some instructors of the public gave their assurance on the subject was extremely persevering. I now think it further necessary to say that, while I take on myself all the merits and demerits attending these compositions, I am bound to acknowledge with gratitude hints of subjects and legends which I have received from various quarters, and have occasionally used as a foundation of my fictitious compositions, or woven up with them in the shape of episodes. I am bound, in particular, to acknowledge the unremitting kindness of Mr. Joseph Train, supervisor of excise at Dumfries, to whose unwearied industry I have been indebted for many curious traditions and points of antiquarian interest. It was Mr. Train who brought to my recollection the history of Old Mortality, although I myself had had a personal interview with that celebrated wanderer so far back as about 1792, when I found him on his usual task. He was then engaged in repairing the Gravestones of the Covenanters who had died while imprisoned in the Castle of Dunnottar, to which many of them were committed prisoners at the period of Argyle's rising. Their place of confinement is still called the Whigs' Vault. Mr. Train, however, procured for me far more extensive information concerning this singular person, whose name was Patterson, than I had been able to acquire during my own short conversation with him. [See, for some further particulars, the notes to Old Mortality, in the present collective edition.] He was (as I think I have somewhere already stated) a native of the parish of Closeburn, in Dumfriesshire; and it is believed that domestic affliction, as well as devotional feeling, induced him to commence the wandering mode of life which he pursued for a very long period. It is more than twenty years since Robert Patterson's death, which took place on the highroad near Lockerby, where he was found exhausted and expiring. The white pony, the companion of his pilgrimage, was standing by the side of its dying master the whole furnishing a scene not unfitted for the pencil. These particulars I had from Mr. Train.
Another debt, which I pay most willingly, I owe to an unknown correspondent (a lady), [The late Mrs. Goldie.] who favoured me with the history of the upright and high-principled female, whom, in the Heart of Mid-Lothian, I have termed Jeanie Deans. The circumstance of her refusing to save her sister's life by an act of perjury, and undertaking a pilgrimage to London to obtain her pardon, are both represented as true by my fair and obliging correspondent; and they led me to consider the possibility of rendering a fictitious personage interesting by mere dignity of mind and rectitude of principle, assisted by unpretending good sense and temper, without any of the beauty, grace, talent, accomplishment, and wit to which a heroine of romance is supposed to have a prescriptive right. If the portrait was received with interest by the public, I am conscious how much it was owing to the truth and force of the original sketch, which I regret that I am unable to present to the public, as it was written with much feeling and spirit.