beyond the city
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第21章 SHADOWS BEFORE.(2)

He looked at her and hesitated. "How like your poor dear mother you are, Clara!" he cried. "As I looked at you then it was as if she had come back from the grave." He stooped towards her and kissed her. "There, run away to your sister, my dear, and do not trouble yourself about me. Nothing is settled yet, but you will find that all will come right."Clara went upstairs sad at heart, for she was sure now that what she had feared was indeed about to come to pass, and that her father was going to take Mrs. Westmacott to be his wife. In her pure and earnest mind her mother's memory was enshrined as that of a saint, and the thought that anyone should take her place seemed a terrible desecration. Even worse, however, did this marriage appear when looked at from the point of view of her father's future. The widow might fascinate him by her knowledge of the world, her dash, her strength, her unconventionality--all these qualities Clara was willing to allow her--but she was convinced that she would be unendurable as a life companion. She had come to an age when habits are not lightly to be changed, nor was she a woman who was at all likely to attempt to change them. How would a sensitive man like her father stand the constant strain of such a wife, a woman who was all decision, with no softness, and nothing soothing in her nature? It passed as a mere eccentricity when they heard of her stout drinking, her cigarette smoking, her occasional whiffs at a long clay pipe, her horsewhipping of a drunken servant, and her companionship with the snake Eliza, whom she was in the habit of bearing about in her pocket. All this would become unendurable to her father when his first infatuation was past. For his own sake, then, as well as for her mother's memory, this match must be prevented. And yet how powerless she was to prevent it! What could she do? Could Harold aid her? Perhaps. Or Ida? At least she would tell her sister and see what she could suggest.

Ida was in her boudoir, a tiny little tapestried room, as neat and dainty as herself, with low walls hung with Imari plaques and with pretty little Swiss brackets bearing blue Kaga ware, or the pure white Coalport china. In a low chair beneath a red shaded standing lamp sat Ida, in a diaphanous evening dress of mousseline de soie, the ruddy light tinging her sweet childlike face, and glowing on her golden curls. She sprang up as her sister entered, and threw her arms around her.

"Dear old Clara! Come and sit down here beside me. I have not had a chat for days. But, oh, what a troubled face! What is it then?" She put up her forefinger and smoothed her sister's brow with it.

Clara pulled up a stool, and sitting down beside her sister, passed her arm round her waist. "I am so sorry to trouble you, dear Ida," she said. "But I do not know what to do.

"There's nothing the matter with Harold?" "Oh, no, Ida.""Nor with my Charles?" "No, no."

Ida gave a sigh of relief. "You quite frightened me, dear," said she. "You can't think how solemn you look. What is it, then?""I believe that papa intends to ask Mrs. Westmacott to marry him."Ida burst out laughing. "What can have put such a notion into your head, Clara?""It is only too true, Ida. I suspected it before, and he himself almost told me as much with his own lips to-night. I don't think that it is a laughing matter.""Really, I could not help it. If you had told me that those two dear old ladies opposite, the Misses Williams, were both engaged, you would not have surprised me more. It is really too funny.""Funny, Ida!Think of any one taking the place of dear mother.