第18章 THE FORE-ROOM RUG.(1)

Diadema, wife of Jot Bascom, was sitting at the window of the village watch-tower, so called because it commanded a view of nearly everything that happened in Pleasant River; those details escaping the physical eye being supplied by faith and imagination working in the light of past experience.

She sat in the chair of honor, the chair of choice, the high-backed rocker by the southern window, in which her husband's mother, old Mrs. Bascom, had sat for thirty years, applying a still more powerful intellectual telescope to the doings of her neighbors.

Diadema's seat had formerly been on the less desirable side of the little light-stand, where Priscilla Hollis was now installed.

Mrs. Bascom was at work on a new fore-room rug, the former one having been transferred to Miss Hollis's chamber; for, as the teacher at the brick schoolhouse, a graduate of a Massachusetts normal school, and the daughter of a deceased judge, she was a boarder of considerable consequence.

It was a rainy Saturday afternoon, and the two women were alone.

It was a pleasant, peaceful sitting-room, as neat as wax in every part.

The floor was covered by a cheerful patriotic rag carpet woven entirely of red, white, and blue rags, and protected in various exposed localities by button rugs,--red, white, and blue disks superimposed one on the other.

Diadema Bascom was a person of some sentiment. When her old father, Captain Dennett, was dying, he drew a wallet from under his pillow, and handed her a twenty-dollar bill to get something to remember him by.

This unwonted occurrence burned itself into the daughter's imagination, and when she came as a bride to the Bascom house she refurnished the sitting-room as a kind of monument to the departed soldier, whose sword and musket were now tied to the wall with neatly hemmed bows of bright red cotton.

The chair cushions were of red-and-white glazed patch, the turkey wings that served as hearth brushes were hung against the white-painted chimney-piece with blue skirt braid, and the white shades were finished with home-made scarlet "tossels."

A little whatnot in one corner was laden with the trophies of battle.

The warrior's brass buttons were strung on a red picture cord and hung over his daguerreotype on the upper shelf; there was a tarnished shoulder strap, and a flattened bullet that the captain's jealous contemporaries swore _he_ never stopped, unless he got it in the rear when he was flying from the foe. There was also a little tin canister in which a charge of powder had been sacredly preserved.

The scoffers, again, said that "the cap'n put it in his musket when he went into the war, and kep' it there till he come out."

These objects were tastefully decorated with the national colors.

In fact, no modern aesthete could have arranged a symbolic symphony of grief and glory with any more fidelity to an ideal than Diadema Bascom, in working out her scheme of red, white, and blue.

Rows of ripening tomatoes lay along the ledges of the windows, and a tortoise-shell cat snoozed on one of the broad sills.

The tall clock in the corner ticked peacefully. Priscilla Hollis never tired of looking at the jolly red-cheeked moon, the group of stars on a blue ground, the trig little ship, the old house, and the jolly moon again, creeping one after another across the open space at the top.

Jot Bascom was out, as usual, gathering statistics of the last horse trade; little Jot was building "stickin'" houses in the barn; Priscilla was sewing long strips for braiding; while Diadema sat at the drawing-in frame, hook in hand, and a large basket of cut rags by her side.

Not many weeks before she had paid one of her periodical visits to the attic. No housekeeper in Pleasant River save Mrs. Jonathan Bascom would have thought of dusting a garret, washing the window and sweeping down the cobwebs once a month, and renewing the camphor bags in the chests twice a year; but notwithstanding this zealous care the moths had made their way into one of her treasure-houses, the most precious of all,-- the old hair trunk that had belonged to her sister Lovice.

Once ensconced there, they had eaten through its hoarded relics, and reduced the faded finery to a state best described by Diadema as "reg'lar riddlin' sieves." She had brought the tattered pile down in to the kitchen, and had spent a tearful afternoon in cutting the good pieces from the perforated garments.

Three heaped-up baskets and a full dish-pan were the result; and as she had snipped and cut and sorted, one of her sentimental projects had entered her mind and taken complete possession there.

"I declare," she said, as she drew her hooking-needle in and out, "I wouldn't set in the room with some folks and work on these pieces; for every time I draw in a scrap of cloth Lovice comes up to me for all the world as if she was settin' on the sofy there. I ain't told you my plan, Miss Hollis, and there ain't many I shall tell; but this rug is going to be a kind of a hist'ry of my life and Lovey's wrought in together, just as we was bound up in one another when she was alive.

Her things and mine was laid in one trunk, and the moths sha'n't cheat me out of 'em altogether. If I can't look at 'em wet Sundays, and shake 'em out, and have a good cry over 'em, I'll make 'em up into a kind of dumb show that will mean something to me, if it don't to anybody else.

"We was the youngest of thirteen, Lovey and I, and we was twins. There 's never been more 'n half o' me left sence she died. We was born together, played and went to school together, got engaged and married together, and we all but died together, yet we wa'n't a mite alike.

There was an old lady come to our house once that used to say, 'There's sister Nabby, now: she 'n' I ain't no more alike 'n if we wa'n't two; she 's jest as diff'rent as I am t' other way.' Well, I know what I want to put into my rag story, Miss Hollis, but I don't hardly know how to begin."

Priscilla dropped her needle, and bent over the frame with interest.