第47章

You poor folk that go to the theatre a dozen times a year, perhaps oftener, what do you know of plays? You see no drama, you see but middle-aged Mr. Brown, churchwarden, payer of taxes, foolishly pretending to be a brigand; Miss Jones, daughter of old Jones the Chemist, making believe to be a haughty Princess. How can you, a grown man, waste money on a seat to witness such tomfoolery! What we saw was something very different. A young and beautiful girl--true, not a lady by birth, being merely the daughter of an honest yeoman, but one equal in all the essentials of womanhood to the noblest in the land--suffered before our very eyes an amount of misfortune that, had one not seen it for oneself, one would never have believed Fate could have accumulated upon the head of any single individual. Beside her woes our own poor troubles sank into insignificance. We had used to grieve, as my mother in a whisper reminded my father, if now and again we had not been able to afford meat for dinner. This poor creature, driven even from her wretched attic, compelled to wander through the snow without so much as an umbrella to protect her, had not even a crust to eat; and yet never lost her faith in Providence. It was a lesson, as my mother remarked afterwards, that she should never forget. And virtue had been triumphant, let shallow cynics say what they will. Had we not proved it with our own senses? The villain--I think his Christian name, if one can apply the word "Christian" in connection with such a fiend, was Jasper--had never really loved the heroine. He was incapable of love. My mother had felt this before he had been on the stage five minutes, and my father--in spite of protests from callous people behind who appeared to be utterly indifferent to what was going on under their very noses--had agreed with her. What he was in love with was her fortune--the fortune that had been left to her by her uncle in Australia, but about which nobody but the villain knew anything. Had she swerved a hair's breadth from the course of almost supernatural rectitude, had her love for the hero ever weakened, her belief in him--in spite of damning evidence to the contrary--for a moment wavered, then wickedness might have triumphed.

How at times, knowing all the facts but helpless to interfere, we trembled, lest deceived by the cruel lies the villain told her; she should yield to importunity. How we thrilled when, in language eloquent though rude, she flung his false love back into his teeth.

Yet still we feared. We knew well that it was not the hero who had done the murder. "Poor dear," as Amy would have called him, he was quite incapable of doing anything requiring one-half as much smartness. We knew that it was not he, poor innocent lamb! who had betrayed the lady with the French accent; we had heard her on the subject and had formed a very shrewd conjecture. But appearances, we could not help admitting, were terribly to his disfavour. The circumstantial evidence against him would have hanged an Archbishop.

Could she in face of it still retain her faith? There were moments when my mother restrained with difficulty her desire to rise and explain.

Between the acts Barbara would whisper to her that she was not to mind, because it was only a play, and that everything would be sure to come right in the end.

"I know, my dear," my mother would answer, laughing, "it is very foolish of me; I forget. Paul, when you see me getting excited, you must remind me."

But of what use was I in such case! I, who only by holding on to the arms of my seat could keep myself from swarming down on to the stage to fling myself between this noble damsel and her persecutor--this fair-haired, creamy angel in whose presence for the time being I had forgotten even Barbara.

The end came at last. The uncle from Australia was not dead. The villain--bungler as well as knave--had killed the wrong man, somebody of no importance whatever. As a matter of fact, the comic man himself was the uncle from Australia--had been so all along. My mother had had a suspicion of this from the very first. She told us so three times, to make up, I suppose, for not having mentioned it before. How we cheered and laughed, in spite of the tears in our eyes.

By pure accident it happened to be the first night of the piece, and the author, in response to much shouting and whistling, came before the curtain. He was fat and looked commonplace; but I deemed him a genius, and my mother said he had a good face, and waved her handkerchief wildly; while my father shouted "Bravo!" long after everybody else had finished; and people round about muttered "packed house," which I didn't understand at the time, but came to later.

And stranger still, it happened to be before that very same curtain that many years later I myself stepped forth to make my first bow as a playwright. I saw the house but dimly, for on such occasion one's vision is apt to be clouded. All that I saw clearly was in the front row of the second circle--a sweet face laughing though the tears were in her eyes; and she waved to me a handkerchief. And on one side of her stood a gallant gentleman with merry eyes who shouted "Bravo!" and on the other a dreamy-looking lad; but he appeared disappointed, having expected better work from me. And the fourth face I could not see, for it was turned away from me.

Barbara, determined on completeness, insisted upon supper. In those days respectability fed at home; but one resort possible there was, an eating-house with some pretence to gaiety behind St. Clement Danes, and to that she led us. It was a long, narrow room, divided into wooden compartments, after the old coffee-house plan, a gangway down the centre. Now we should call it a dismal hole, and closing the door hasten away. But to Adam, Eve in her Sunday fig-leaves was a stylishly dressed woman; and to my eyes, with its gilded mirrors and its flaring gas, the place seemed a palace.