Paul Kelver
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第72章

Listening to her, it was difficult, as she herself would frankly admit, to imagine her the once "arch Miss Lucretia Barry;" looking at her, to remember there had been an evening when she had been "the cynosure of every eye." One found it necessary to fortify oneself with perusal of underlined extracts from ancient journals, much thumbed and creased, thoughtfully lent to one for the purpose. Since those days Fate had woven round her a mantle of depression. She was now a faded, watery-eyed little woman, prone on the slightest provocation to sit down suddenly On the nearest chair and at once commence a history of her troubles. Quite unconscious of this failing, it was an idea of hers that she was an exceptionally cheerful person.

"But there, fretting's no good. We must grin and bear things in this world," she would conclude, wiping her eyes upon her apron. "It's better to laugh than to cry, I always say." And to prove that this was no mere idle sentiment, she would laugh then and there upon the spot.

Much stair-climbing had bestowed upon her a shortness of breath, which no amount of panting in her resting moments was able to make good.

"You don't know 'ow to breathe," explained our second floor front to her on one occasion, a kindly young man; "you don't swallow it, you only gargle with it. Take a good draught and shut your mouth; don't be frightened of it; don't let it out again till it's done something: that's what it's 'ere for."

He stood over her with his handkerchief pressed against her mouth to assist her; but it was of no use.

"There don't seem any room for it inside me," she explained.

Bells had become to her the business of life; she lived listening for them. Converse to her was a filling in of time while waiting for interruptions.

A bottle of whiskey fell into my hands that Christmas time, a present from a commercial traveller in the way of business. Not liking whiskey myself, it was no sacrifice for me to reserve it for the occasional comfort of Mrs. Peedles, when, breathless, with her hands to her side, she would sink upon the chair nearest to my door. Her poor, washed-out face would lighten at the suggestion.

"Ah, well," she would reply, "I don't mind if I do. It's a poor heart that never rejoices."

And then, her tongue unloosened, she would sit there and tell me stories of my predecessors, young men lodgers who like myself had taken her bed-sitting-rooms, and of the woes and misfortunes that had overtaken them. I gathered that a more unlucky house I could not have selected. A former tenant of my own room, of whom I strangely reminded her, had written poetry on my very table. He was now in Portland doing five years for forgery. Mrs. Peedles appeared to regard the two accomplishments as merely different expressions of the same art. Another of her young men, as she affectionately called us, had been of studious ambition. His career up to a point appeared to have been brilliant. "What he mightn't have been," according to Mrs.

Peedles, there was practically no saying; what he happened to be at the moment of conversation was an unpromising inmate of the Hanwell lunatic asylum.

"I've always noticed it," Mrs. Peedles would explain; "it's always the most deserving, those that try hardest, to whom trouble comes. I'm sure I don't know why."

I was glad on the whole when that bottle of whiskey was finished. A second might have driven me to suicide.

There was no Mr. Peedles--at least, not for Mrs. Peedles, though as an individual he continued to exist. He had been "general utility" at the Princess's--the old terms were still in vogue at that time--a fine figure of a man in his day, so I was given to understand, but one easily led away, especially by minxes. Mrs. Peedles spoke bitterly of general utilities as people of not much use.

For working days Mrs. Peedles had one dress and one cap, both black and void of ostentation; but on Sundays and holidays she would appear metamorphosed. She had carefully preserved the bulk of her stage wardrobe, even to the paste-decked shoes and tinsel jewelry.

Shapeless in classic garb as Hermia, or bulgy in brocade and velvet as Lady Teazle, she would receive her few visitors on Sunday evenings, discarded puppets like herself, with whom the conversation was of gayer nights before their wires had been cut; or, her glory hid from the ribald street beneath a mackintosh, pay her few calls. Maybe it was the unusual excitement that then brought colour into her furrowed cheeks, that straightened and darkened her eyebrows, at other times so singularly unobtrusive. Be this how it may, the change was remarkable, only the thin grey hair and the work-worn hands remaining for purposes of identification. Nor was the transformation merely one of surface. Mrs. Peedles hung on her hook behind the kitchen door, dingy, limp, discarded; out of the wardrobe with the silks and satins was lifted down to be put on as an undergarment Miss Lucretia Barry, like her costumes somewhat aged, somewhat withered, but still distinctly "arch."

In the room next to me lived a law-writer and his wife. They were very old and miserably poor. The fault was none of theirs. Despite copy-books maxims, there is in this world such a thing as ill-luck-persistent, monotonous, that gradually wears away all power of resistance. I learned from them their history: it was hopelessly simple, hopelessly uninstructive. He had been a schoolmaster, she a pupil teacher; they had married young, and for a while the world had smiled upon them. Then came illness, attacking them both: nothing out of which any moral could be deduced, a mere case of bad drains resulting in typhoid fever. They had started again, saddled by debt, and after years of effort had succeeded in clearing themselves, only to fall again, this time in helping a friend. Nor was it even a case of folly: a poor man who had helped them in their trouble, hardly could they have done otherwise without proving themselves ungrateful.