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乌兹别克斯坦国际论坛宫殿
Palace of International Forums Uzbekistan

The Palace of International Forums (Uzbekistan) stands on Amir Timur Square in the very centre of Tashkent. The country's most important representative building is designed as a platform for hosting acts of state, congresses, conferences and other cultural highlights. Our task was to give the interior a contemporary form, while incorporating elements from traditional Uzbek architecture. The result is a cosmopolitan, communicative interior clothed in exclusive materials. Planar ornamentation, organic movement, crystals, precious metals and a fascinating interplay of artificial and natural light all become a source of inspiration.

FOYER

Classical in its external appearance, the building prepares for the modernity within through the extensively glazed facade. Behind illuminated facade columns of Thassos marble, a similarly weighty epochal semicircular Swarovski chandelier dominates the main foyer. Gigantic and contrastive, the two structural elements of columns and chandelier, conjunctions of various architectural traditions, introduce syntheses of Western and Eastern culture. Three marble portals with carved wooden doors lead into the vestibule. The generosity of the main foyer with a ceiling height of over 16 metres and an area of 2,500 square metres is deliberately staged and atmospherically compact. The spectacular chandelier with its nine-metre height and 23-metre length outlines the longitudinal axis of the foyer.

设计师:Peter Ippolito、Steffen Ringler、Tilla Gold berg、Silke Schreier、Swetla na Wangner、Christine Ackermann、Alexander Fehre、Alexander Fegre、Christian Kirschenmann、Tim Lessmann、Jakub Pakula、Hakan Sakarya、Jörg Schmitt、Moritz Köhler、Daniea Schröder、Julia Weigle、Frank Famer、Axel Bertram、Elena Nuthmann-Maysyuk、Klaus-Dieter Nuthmann

参与设计:Pfarr é、München、Einkaut & Logistik、Stuttgart、Theapro Planungsgesellschaft、München、OS-Plan、Stuttgart

设计公司:伊波利托·弗莱茨集团

项目地点:乌兹别克斯坦

建筑面积:40.000平方米

摄影师:Zodey Braun、Andreas J.Focke

AUDITORIUM

Six portals of highly-polished ebony provide entry into the Auditorium. Subdivided horizontally into two sections, the gigantic hall is a place of inspiration. With a height of 48 metres and a diameter of 50 metres, it is of imposing capacity. Thanks to precise lighting technology, the bands of florescent and LED lighting that run off-set around the rings transform the space into a weightless body of light as required. The stage mechanics and technology also meet the highest of demands. Cutting-edge technology provides optimal conditions for symphonic concerts, ballet or theatre performances, as well as congresses and conferences.

VIP FOYER

The observer encounters integrated design themes everywhere, throughout the building. A striking specific example is provided by the refractions of light in the VIP Foyer. Hanging from rectangular, indirectly-lit cupolas, 18 Swarovski chandeliers dominate the atmosphere. An supersized folded wall of leaf-palladium continues the play of light. Polished marble floors deepen the perspectives of this room of light. As a further integrated detail, the mirror elements double the spatial axes along the windows, as already seen in the foyer.

BANQUETING HALL

Aligned along the middle axis, stage and presidential area are visually connected in the Banqueting Hall. A further consolidating element is the precious nacre wall rising dramatically to the ceiling. To the left and right of the stage, optically undulating walls coated with Swarovski wallpaper strive toward the presidential area. This undulating wall structure appears as a continuation of the stage curtain and produces additional depth through the effects of reflection.

CONFERENCE ROOM

The room for international summits is dominated by an exclusive round table with a diameter of 10 metres. Linear light rings of sycamore and dark rings of ebony are inlaid in the made-to-measure walnut piece of furniture. In its presence, the table provides the representative and stoic focus for work.

RESTAURANT

The 28-metre-long buffet is placed in front of a wall of ebony. The free-flow layout, designed in stainless steel and glass, can serve up to 3,000 guests. The preparation of the dishes is carried out with energy-effcient kitchen technology and gastronomic equipment of the premium segment. The representative hospitality technology with several cold and warm kitchens, in-house confectionery, butchery as well as a presidential kitchen with attached laboratory covering more than 1,700 square metres is augmented by a further 3,200 square metres of wide-ranging production and technical utility rooms to guarantee optimal support.

乌兹别克斯坦国际论坛宫殿矗立于塔什干市中心的阿米尔提姆尔广场(Amir Timur Square)上,是该国最重要的代表性的建筑,它被设计成举办国家活动、各种会议和其他重要文化活动、代表大会的平台。我们的任务是赋予内政一个当代的形式,同时融入了传统的乌兹别克斯坦建筑元素。其结果打造是一个由专用的材料包裹着的世界性的、长于沟通的内政。平面装饰、有机运动、水晶、贵重金属和人工灯光以及自然光的相互作用所产生的迷人景象都成为灵感的源泉。

门厅

古典的外观,此建筑准备通过被广泛运用的玻璃幕墙来展现其内在的现代性。明亮的幕墙后矗立着Thassos大理石柱,同样重要的具有划时代意义的半圆形水晶吊灯装饰着整个大厅。石柱和吊灯,两种不同的建筑元素形成巨大的反差,各种建筑构件传统的结合导致了东西方文化的融合。带雕刻木门的三个大理石入口直通大厅。高16米,占地2500平方米的大厅经过精心设计,其慷慨大气之势极其浓厚。9米高和23米长的吊灯,勾勒出了大厅的纵向轴线,一片壮观景象。

礼堂

六个高抛光黑檀木门是礼堂入口。巨大的大厅横向分为两部分,是激发灵感的地方。高48米,直径50米,容量极其巨大。由于精确的照明技术,荧光灯和LED照明灯发出的光束将其打造成光的失重空间。舞台机械和技术也达到最高水平。尖端技术为交响音乐会,芭蕾舞和戏剧表演,以及代表大会和会议创造最佳条件。

贵宾休息室

仔细观察就会发现整个建筑内集成设计的主题无处不在。一个突出的例子就是贵宾休息室中的光折射。间接照明的冲天炉,垂直悬挂的18个施华洛世奇水晶吊灯营造出整个气氛。一个超大型的折叠叶钯墙充分利用了灯光效果,抛光大理石地板搭配深房间光线的景致。为了进一步整合细节,镜面元素让空间轴沿窗户增加一倍,正如已经在大厅看到的一样。

宴会厅

沿中轴线,可以看到舞台和主席台与宴会厅是连在一起的。作为进一步巩固元素,珍贵的珍珠层壁直升天花板。用施华洛世奇壁纸装饰的波状起伏的墙壁从舞台左右两边一直伸向主席台。波状起伏的墙壁看起来就像舞台连绵的帷幕,并通过反射这种效果被再次加深。

会议室

国际峰会会议室主要放置了一个10米直径的特制圆桌。悬铃木的明线环和黑檀木的暗线环被镶嵌在精心制作的胡桃木家具中。该桌子的作用就是让与会人员专注于工作。

餐厅

28米长的自助餐台摆放在黑檀木墙前面。自由流动的布局,由不锈钢和玻璃建成的餐厅能容纳3000名客人。美味的菜肴经由节能厨房技术和高端烹饪设备制作而成。冷盘、热食、自制甜食、屠场以及带有面积超过1700平方米实验室的总统厨房,这些都是富有代表性的食宿招待技术,同时他们的功能被进一步放大,由一个3200平方米的生产和技术运作室为其提供最佳支持。